Jason Thompson’s comment about ambition is one of the many things that distinguishes Mickey B. from other examples of “prison Shakespeare.” Among other things, it brings the character of Macbeth inside the orbit of convict life. Macbeth is a familiar commodity here, not the fatal exception he may be for other audiences, other actors. Like the convicts, there are many things Macbeth cannot “hope to have” in exchange for his commitment to ambition. By contrast, a recent RTA stage production of MACBETH at Sing Sing prison in Ossining, NY took so traditionalist and cautionary an approach to the play that one could hardly imagine the extent to which the prisoners had to identify with him.

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